Frédéric Bruly Bouabré & Serge Attukwei Clottey
2 May 2017 - 15 July 2017
The exhibition pairs drawings by the late Ivorian artist Frédéric Bruly Bouabré (1923 —2014) with recent sculptures by the Ghanian artist Serge Attukwei Clottey (b.1985).
Although separated in age by over 60 years, both artists employ prosaic materials to develop distinct visual languages. In the works on view, traditional and regionally-specific West African motifs are harmoniously juxtaposed with symbols and texts that represent both the global and the the universal.
The unique lexicons developed by both Bouabré and Clottey reveal dually systemic methodologies of materiality and language to investigate a broad array of subjects including the historical, spiritual and political.
10 March 2017 - 22 April 2017
"The conceptual basis for the exhibition was further inspired by Leiby’s engagement with the genre-defying 2009 volume Bluets by Maggie Nelson. In the course of 240 short entries, Nelson weaves autobiographical, poetic and theoretical elements into a book-length meditation on the color blue. Nelson’s often frank remembrances are filtered, refracted and mediated through the perspectives of an array of writers, including Ludwig Wittgenstein, Susan Sontag, Gertrude Stein, Goethe and Proust.
In this context, the works in Bluets address the enigmatic, perhaps ineffable, means by which individual identities and personality characteristics are transmuted into color and form."
VALERIE HEGARTY: American Berserk
6 October 2016 - 28 January 2017
"The show features a series of recent watercolor paintings and four groups of ceramic sculptures. The suite of watercolors suggests a fevered, hallucinatory vision of America examined through the prism of its visual artistic traditions. Hegarty's anarchic, revisionist take on American history as manifested in the nation's artistic legacy is further embodied in her fantastical ceramic works. The sculptures, which seem imported from a parallel universe, include watermelons that become animated, explode and then decay, sly depictions of George Washington as a series of topiaries, spectral clipper ships erected from bones and an assortment of "fruit face" personae that survey the surreal proceedings.”
4 August 2016 - 1 October 2016
"Marking Time in America features two comprehensive bodies of work that Krimes completed during a six-year period of incarceration for a non-violent drug offense: Purgatory and Apokaluptein. Krimes produced Purgatory, which includes 292 separate portraits rendered on prison-issued bars of soap, during his first year of incarceration prior to sentencing while being held in a maximum security 23-hr "lock-down" environment. Apokaluptein resulted from three years of sustained artistic labor, during which time Krimes produced a large-scale tapestry using 39 individual federal prison bedsheets."
16 April 2016 - 4 June 2016
a certain kind of Eden holds us thrall...
"Focussing on both the fragility and resiliency of the natural environment amidst the threats of global warming and pollution, a certain kind of Eden features works in diverse media by Matthew Brandt, Sam Falls, Valerie Hegarty, Kadar Brock, Christina Lei Rodriguez and Philip Taaffe."