Betty Woodman passes away at 87.
Pantone has announced its color of the year for 2018: Ultra Violet (18-3838).
Recently, the Pantone selection process seems to have acquired more of a socio-political veneer.
“It’s...the most complex of all colors,” Pantone announced, “because it takes two shades that are seemingly diametrically opposed — blue and red — and brings them together to create something new.”
However, this characterization is incorrect. Purple is a combination of red and blue, while Violet has its own place on the UV spectrum.
But then again, the 2017 color of the year, Greenery (15-0343), was supposed to denote "new beginnings"...and we all know how that turned out.
The District 1 race for New York City's local elections today has involved a unique amount of participation by the art community, and by art galleries in particular. Zoning and gentrification are key issues in the race for District 1, which encompasses the gallery-rich neighborhoods of Chinatown, the Lower East Side, Soho and Tribeca. Christopher Marte, now 28, grew up on Rivington Street in the Lower East Side.
Marte's support among the art crowd in the district took off after he participated in events held by the community group Art Against Displacement, which was founded by the owner of 47 Canal gallery. Marte has subsequently enjoyed the support of a number of art galleries located in the district, including Gavin Brown's Enterprise, James Fuentes, Bodega and Essex Street.
Regardless of the outcome, Marte's campaign has served as a case study of how art galleries can constructively participate in political affairs at the community level.
Linda Nochlin, one of the most influential art historians of the twentieth century, has passed. Nochlin is best known for her 1971 essay "Why Have There Been No Great Women Artists?" which incited a profound shift in thinking among curators, critics and art historians and is a foundational text for feminist art history and theory.
The Nigeria-born, now Brooklyn-based, artist Njideka Akunyili Crosby was awarded a well-deserved MacArthur ("Genius") Fellowship for 2017. Her exquisite paintings, dense with visual information, are both immediately striking and rewarding of sustained examination.
I first saw her work several years ago at a gallery in Johannesburg, South Africa, before she joined Victoria Miro Gallery and acquired broad exposure. It was immediately obvious on first encountering her work that she was a major talent.
A one-sentence, hand-written note by Albert Einstein was just auctioned in Israel for USD $1.5 million - far exceeding pre-sale expectations. Bidding for the lot began at USD $2,000.
The note, in which Einstein revealed his "strategy for a happy life," was written on stationary from the Imperial Hotel in Tokyo. The scientist, having recently received word that he had won the Nobel prize but without any change on him, wrote the note to a courier in lieu of a tip.
Given the price of the sale, Einstein's recommendation regarding how to achieve happiness seem quite ironic: "a quiet and modest life."
A drawing by Donald Trump of the Empire State Building sold at auction in Los Angeles for a hammer price of USD $16,000. Trump drew the 9" x 12" sketch in 1995 for a charity auction at his Mar-a-Lago estate. It initially sold for USD $100.
At the time that he produced the drawing, Trump was attempting to purchase the Empire State Building. The effort failed and he was ultimately forced to sell his stake in the landmark property.
In 2016, the median size of grants given by the National Endowment for the Arts (NEA) was less than USD $20,000. As president, Trump has proposed to eliminate the NEA entirely. The NEA is working out of a temporary office space at present, having been displaced from the building which was transformed into the Trump International Hotel - Washington.
"Loving Vincent," a new film from the UK about Van Gogh, is a technical marvel. Billed as the first cinematic feature in which every frame is derived from an individual painting, the film's production was a seven year labor of love by Polish animator and director Dorota Kobiela. Over 65,000 individual paintings were produced by a team of 120 painters to complete the film's visuals. On average, each 10 second shot of the film required 20 weeks of work by a painter. Although critics have been somewhat divided on the film's overall success as a dramatic feature (it currently holds a 77% score on Rotten Tomatoes), the sheer visual complexity of the work is stunning.
The plot for the film is structured around a posthumous effort to deliver the artist's final letter to his brother Theo. Live footage with an ensemble of actors was shot in London over 14 days, which served as a framework for the film's team of painters. The technique was similar to that used by American filmmaker Richard Linklater in his movies "Waking Life" and "Through a Scanner Darkly." A range of characters whom we know from Van Gogh's painting and letters are incorporated into the plot -- each visually-introduced from the same perspective as depicted by Van Gogh.
The film's narrative is ultimately too conventional for both its subject and its own visual approach, hewing dangerously close to a conventional "Whodunit?" storyline and indulging too many of the mawkish, melodramatic conceptions about the artist and his work. Yet, it still manages to provide an impressive degree of sheer cinematic pleasure for the viewer.
BBC segment detailing the production process for "Loving Vincent," the feature-length film about Vincent Van Gogh created from 65,000 individual oil on canvas works.